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Monday, July 16, 2012

The Well Dressed Woman


When a woman dressed to go out in the 1950's she wore gloves, a hat, jewelry, a purse and shoes that matched, and carried a handkerchief.

Gloves were worn everywhere in the 1950s and completed a woman's grooming. Without gloves she was not properly dressed. Clean gloves were also the hallmark of a lady and white or cream were the most favored gloves. 

Gloves worn in so many colors were usually made of cotton as this was more affordable than leather gloves or the newer nylon and they could be washed very easily.  Even so many women owned a special pair of leather gloves. 

The formality of wearing gloves even continued into the sixties with interesting cut out peephole variations in the popular stretch nylon and designed almost like a golfing glove. By the 1970s gloves were more used functionally for keeping the hands warm than for any other reason.


Oil on canvas board
10" X 12"
$600.00, plus shipping

Leighann Foster, foster3@gvtc.com

Website, www.leighannfoster.com
Find new and archival work.

Website, www.artistswhoteach.org
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Blog, www.leighannfoster.blogspot.com
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Grandma's Shoes


The child’s shoes date to the turn of the century. They have been worn and have white glass buttons that probably needed a buttonhook.

After researching the lace up shoes they could be from the 1920’s to the 1940’s. This seemed to be a style that was an old stand-by and made over and over so they fit into several decades. They have never been worn and the laces weren’t laced and tied up to the top like you find shoes in a shoe store that have never been tried on. I remember my grandmother wearing shoes like this.


Oil on canvas board
14" X 11"
$770.00, plus shipping

Leighann Foster, foster3@gvtc.com

Website, www.leighannfoster.com
Find new and archival work.

Website, www.artistswhoteach.org
Artists Who Teach
Find an instructor and see great artwork.

Blog, www.leighannfoster.blogspot.com
Find drawings and paintings on SALE.


Your Dress Shirt, Sir


I found this man’s dress shirt in a box in an Antique shop. It did not have buttons, cuff links, or a bow tie so I had to find these to complete the shirt. The label on the shirt said Arrow Shirt Company. There was no date on the box but the style and graphics looked like around 1950. It is difficult to find men’s vintage clothing articles. There seems to be more available for women.

I have included a short conversation told to Bob Phibb, The Retail Doctor, www.retaildoc.com/blog, by Roger Leithead, the former CEO of Arrow shirts.


Arrow Shirts, a history.
The Arrow shirt concept came about in the 1800’s because men only wore white dress shirts and they all went to work in a suit. Even the blacksmith would work in that white shirt. Well this one guy was a singer and his wife didn’t like him coming home and changing into a clean shirt just to go out – especially since they only bathed on Saturday nights.  The idea of a detachable collar and cuffs made it easy to look presentable without all that washing.

This is the way Arrow built an empire of over 450 warehouses across the US filled with detachable collars and cuffs. It was a recipe for success: find out what the customer wanted and then give it to them.

A competitor, the Manhattan shirt company, had a shirt you could buy with an attached collar and cuffs but it was built like a tent with yards of fabric to tuck in. Also, the sleeve length was a 37.  That’s why guys wore armbands, so their sleeves wouldn’t reach over their fingers – like you see in barbershop quartets. At the time that was based on need, not looks.

Sales were dropping off and the Arrow CEO saw the trend was changing to a complete shirt.  He announced to his board of directors in 1930, “We will never get there doing what we’re doing now.”   That’s when something truly remarkable happened.

He went downstairs and gave instructions to open the doors of their main warehouse on River Street in Troy, New York, which bordered on the Hudson River. “Clear out the warehouse.” Using pitchforks, the warehouse men threw all of the existing collars and cuffs into the river.

Forget the environmental consequences of such an act of over 1 million dozen collars and cuffs floating down the Hudson. He threw out their entire inventory in order to make the changes needed.

They came up with 64 combinations of neck and sleeve lengths so that Arrow shirt fit you properly, not like a sack. They changed from natural ocean pearl buttons that broke easily, to plastic and invented Sanfordizing, which meant a shirt wouldn’t shrink. They again became the leader in men’s shirts because of the CEO realizing they had to change or die.

You think it’s tough to compete now? Imagine going into a retailer in the Depression telling them they needed all this inventory to serve their customers; where three models could capture the market, now they needed 64.

The CEO then had marketing come up with the “Arrow Shirt Man.”  Splashy ads in the best magazines touted how well an Arrow shirt fit.  It created a need for the women who purchased their husbands’ shirts to go into retailers and ask for that “Arrow Shirt.”  Retailers had no choice but to carry them and the rest is history.

Oil on canvas board
14" X 11"
$770.00, plus shipping

Leighann Foster, foster3@gvtc.com

Website, www.leighannfoster.com
Find new and archival work.

Website, www.artistswhoteach.org
Artists Who Teach
Find an instructor and see great artwork.

Blog, www.leighannfoster.blogspot.com
Find drawings and paintings on SALE.

Tuesday, June 5, 2012


La Fem Sophistique is a dress shop in Sacramento CA that only sells vintage designer clothing. They loaned this dress to me so I could make a graphite drawing of it. When it was finished, I sent the dress back along with the drawing and it now hangs in their shop.

Designer earned wide acclaim for flaunt-it fashion
OBITUARIES : Eletra Casadei, 1953 - 2008
Eletra Casadei, the California fashion designer whose prom dresses put away the Sweet Sixteen look and moved into strapless, backless, slit-to-here styles, has died. She was 55.
She died Sept. 27 at her home in Pacific Palisades. The cause was brain cancer, her sister Andrea Casadei Best said.
One of the first Los Angeles designers of her generation to gain a national reputation for something other than swimwear, Casadei claimed Old Hollywood glamour as her inspiration and fantasy dresses at affordable prices as her niche.
She introduced her TD4 (To Die For) line in the late 1970s for customers ages 14 and up. Before long their mothers were wearing the clothes and she launched a second collection, Casadei, for them. By the early 1980s, a boom time for flaunt-it fashion, Casadei was in her stride.
"Padded shoulders, draping, appliques, sequins, Eletra's evening dresses were over the top and a lot of fun," Pam Roberts, the designer's former publicist, told The Times.
Throughout the 1980s, Casadei's collections were carried in some 7,000 boutiques and department stores, most of them in the U.S. Prices ranged from about $100 to about $400.
A former fashion model, she wore her own designs and added a few accents, such as plum color streaks in her hair and iridescent fuchsia nail polish.
Dresses from her collections turned up on sitcoms and soaps as diverse as "Golden Girls," about four older women rooming together, and "Dynasty," about Denver socialites with glitzy tastes.
Casadei's best advertisements were the two fashion-music videos she created in the mid-1980s, modeled after the music videos that aired on MTV. Instead of costumes, she used dresses from her latest collection.
"Eletra pioneered fashion-music videos," Janet Orsi, another former publicist, said this week. "The idea was to capitalize on the music video phenomenon and marry it to fashion. Designers got to show their clothes in a new genre. It was a change from the typical fashion show."
Casadei's videos played in stores and wholesale showrooms as well as on MTV. She played the lead in "Adventures of the Countess," a mystery made in the style of a silent movie with scary mood music.
Her other video, "Prom Night," with a soundtrack of Steve Winwood music, shows girls at a dance that gets a lot more exciting when guys in black leather show up.


Casadei was born July 5, 1953, in the east San Francisco Bay community of Hayward, where she won the title "Maid of Hayward" as a teenager. She graduated from Loyola Marymount University in Los Angeles, majoring in business administration. Her first job, as a store buyer, was frustrating. "She was always wishing she could change the way the clothes were designed," Casadei's sister said.
She taught herself the skills of fashion design and opened a business office in downtown L.A.
Casadei scaled back her operation in the '90s but became known for her remakes of the most popular celebrity dresses at the Academy Award shows. Her version of the vintage Valentino gown that actress Julia Roberts wore in 2001 sold for $169.
Most recently she designed under the Casadei by Eletra Casadei label and owned a boutique in Pacific Palisades where she sold her ready-to-wear styles and made custom-order clothes. She continued working until a few weeks ago.
Casadei's only marriage ended in divorce. In addition to her sister, she is survived by her son, Nico Casadei Roe; her mother, Verna Casadei; and another sister, Janelle Brunelli.
A memorial service is planned for 3 p.m. Oct. 11 at Corpus Christi Church, 887 Toyopa Drive, Pacific Palisades.
Tree Dwellers

Vanity

These two painting were accepted into The 6th Majestic National Juried Exhibition, 2012.
Vanity received an Honorable mention.

June 29-July 20, 2012
Majestic Galleries, Nelsonville, Ohio


Sugar Cookies

This painting was accepted into the 2012, 101st Exhibition of the Connecticut Academy of Fine Arts.

May 25-July 14, 2012
Mystic Arts Center, Mystic Connecticut

10” X 12”
Oil on canvas board



Measure Twice, Cut Once

The center of interest in the oil painting is the Advance-sewing pattern. Advance was the pattern company for J.C. Penney’s, 1930-1965.  On the envelope, below the words “Advance Pattern” are the words “Tailored Dress”. This, along with the number 2530, dates the pattern to the 1930’s. During this time almost all suits and dresses were belted and the sleeves were wide or full. The shirtwaist dress was introduced in 1932.

I placed the fabric on a cutting board and used a measuring tape for design and color. I cut out and pinned two pattern pieces on the fabric to make it look like a woman was going to cut this pattern out and make this dress.

Oil on canvas board
14" X 18", framed
$756.00, plus shipping

Leighann Foster, foster3@gvtc.com

Website, www.leighannfoster.com
Find new and archival work.

Website, www.artistswhoteach.org
Artists Who Teach
Find an instructor and see great artwork.

Blog, www.leighannfoster.blogspot.com
Find drawings and paintings on SALE.